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The Encyclopedia of Horror Movies: The Complete Film Reference

Entries include bibliographies, discographies and filmographies, and an extensive index is provided. Among the contributors are most of the leading scholars, musicians, and journalists in popular music studies. Nearly 20 years in the making, the encyclopedia responds to a need for a comprehensive approach to popular music, one that would give due attention to non-Anglo-American musics.

To that end, much thought was devoted to the taxonomy and layout of each volume. Rather than simply listing entries alphabetically, each volume presents broad topics in some detail, with indexes in each volume to bring subjects together. An important R 80 min Horror. Approved 77 min Drama, Horror. Architect Walter Craig Mervyn Johns senses impending doom as his half-remembered recurring dream turns into reality.

The guests at the country house encourage him to stay as they take turns telling supernatural tales. Votes: 9, R 90 min Horror, Thriller.

Three short tales of terror including: woman's encounter when attempting to rob a grave; the story of a woman who summons her son back from the dead; and tale of an African doll who comes to life. Votes: 1, GP min Horror.

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An anthology of four horror stories revolving around a mysterious rental house in the U. Votes: 4, Unrated min Comedy, Horror. A writer of horror stories is invited to a "monster club" by a mysterious old gentleman. There, three gruesome stories are told to him; between each story some musicians play their songs. Three-part mini-series set during three different eras in a single room of an odd hotel where employees never age. Every story has a slight twist to it, but the stories are mostly dialogue-heavy psychological or relationship dramas.

Trapped in a damaged cryogenic pod, a man is forced to watch a series of horrific science-fiction tales while his life support systems run out. Featuring eight intense stories of the R 92 min Comedy, Horror. Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents.

Votes: 10, Not Rated min Comedy, Horror. A chapter anthology that showcases death in all its vicious wonder and brutal beauty. Another chapter anthology that showcases death in all its vicious wonder and brutal beauty. Unrated 83 min Animation, Horror, Mystery. Several scary black-and-white animated segments in different styles appeal to our fear s of the dark.

A collection of visionary director David Lynch's short films from the first 29 years of his career is accompanied by a special introduction to each film by the director himself. Coulson , Eddy Dixon. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More. Copy from this list Export Report this list.

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Refine See titles to watch instantly, titles you haven't rated, etc. Return of the Ape Man These attempts to transfer a life- force never manage to awaken the wife from her trance, but do succeed in making zombies of the girls. Zucco helps out as a garage proprietor who steers victims into the web. When Lugosi is shot at the end, the zombies return to normal. All of them contained macabre elements, but since the stories were essentially whodunits, anything supernatural was explained away.

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A few stock shots of native voodoo ceremonies support the notion, but it all turns out to be the work of a jealous woman Ankers who murders a couple of faculty members in order to incriminate the wife who is in her way. The British remake, Night of the Eagle , is far superior, inextricably interweaving the destructive powers of human jealousy and supernatural evil.

Stevenson, for one thing, makes very little of Edinburgh. Lewton, on the other hand, acknowledges that the grisly shudder of body-snatching is indissolubly attached in the imagination to a dark city dominated by a castle looming out of the mists. Though opening with the sadistic murder of a prison escapee and ending with the murder of the sadistic warder Karloff , the action is less interesting than the historical detail, and suggests that Lewton was angling for a way out of B movies.

Much too talkative though the dialogue is good and clumsily directed, it is at its best in marginalia like the death of a boy prisoner at a Vauxhall masque, asphyxiated by the gold paint in which he is costumed for the amusement of a society audience. This entry purports to explain how he got to be a hideous monster when a chemistry lab accident at university splashed acid in his face.

From football-playing hero he turns, predictably enough, to mad killer thirsting for revenge. Hatton, whose last film this was, died in Although the cast all mm in reasonable performances, all the sinister hocus-pocus goes for very little, given leaden direction and a ridiculous pantomime makeup for the werecat: pointy ears, vampire teeth and stubbly whiskers topped off by an opera hat. Libkov s Sherman L. A supernumerary shrunken head turns out to belong, not to the batch brought back by an explorer from South America, but to the murdered explorer.

Although the somewhat over-excited script tends to throw in everything - hypnotism, a voice from the grave, poisoned darts, a rampaging leopard - the film has its moments, notably the eerie sequence among the stuffed animals in a shop belonging to the kindly old taxidermist Donati who owns the leopard and who murdered the explorer because he hunted animals. After successfully reviving a Great Dane which becomes semi-transparent, walks through walls and drinks blood, he experiments on a drowned sailor and his own wife Drake. They too develop strange habits like walking through glass and also acquire rigid faces.

For good measure, the film also has Rey doing some voodoo as a sinister housekeeper, and Best contributes his scared act. Kosleck is a surrealist sculptor driven to suicidal frenzy by a malicious critic Napier. About to throw himself into the river, he sees something crawling out of it. Delighted by the brutish creature who emerges - a notorious killer believed to have drowned - Kosleck hustles him back to his studio to use as a model, and soon discovers that the grateful Creeper is only too willing to snap the spine of anyone who crosses his benefactor.

In contrast to European ghost comedies, which are mostly about the saving of old castles from modernization Fantasmi a Roma, , for example , here the script accepts the demolition of the house for the sake of progress and decrees that the ghosts will have to settle for a flat in a skyscraper like everyone else. Roland, born Luis Antonio Damaso de Alonso in Mexico, had been a Hollywood star since the mid-twenties and continued a noteworthy career well into the sixties.

What began as a drift away from science fiction rapidly became a full-scale horror revival.

Lists of horror films - Wikipedia

If the year in which Universal unleashed both Dracula and Frankenstein saw the creation of the horror genre, saw the creation of the modern horror film. The Curse of Frankenstein, El Vampiro and I Was a Teenage Werewolf all released , to which one can add I Vampiri, made in but only released internationally in , each in their different way testified to the renaissance of the horror film.

Teenage Werewolf which was followed in by the equally bizarre I Was a Teenage Frankenstein , in its very title highlighted the fact that youth was the major audience for horror films, a fact that all subsequent producers would bear in mind. Set in Tangier but shot in Spain, the plot concerns a woman Felix who loses her memory after killing her husband who was about to divorce her because of her affair with Mauricio Gassman.

Since she put them in the coffm together with the corpse, the murder is discovered but Gassman becomes the main suspect and, in a desperate bid to escape, he is killed. The ending sees the unfortunate adultress sink into madness as she embraces the dead body of the only man she really loved. The plot is unravelled through numerous flashbacks and punctuated with dream sequences full of hallucinatory images of witches, clutching hands emerging from a grave, the black- clad widow being pursued by a dwarf in a brilliant white cemetery, and the symbolic black crown itself: the formation of ravens as they circle above a corpse.

Saslavsky made other films in Europe but none justified the reputation which had preceded him on his arrival from Argentina. Lopez Silva, F. The plot concerns a young bride Marshall who returns from her honeymoon to a creepy household and finds her husband Osborn is insane. There is also the knowing family doctor Barry and a sinister butler Le Mesurier who kills his revered master before poisoning himself. The movie, poorly directed, offers an unhappy mix of the conventions of melodrama, the-butler-did-it thriller and psycho-horror.

The story concerns a cruel medium Powers who, after years of faking seances and mistreating her young helpers, her daughter Alberghetti , and a mute gypsy boy Coleman , begins to feel that the forces of darkness are out to get her and senses fingers gripping her throat to choke her.

The performances on the stage were, by all accounts, impressive, which in film terms means grotesquely over the top. There is no dialogue, only arias and recitative and lots of dramatic music. Cinephiles who like opera would probably prefer to buy a record.

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Scott is adequate in the dual role, and Henreid is his usual prissily professional self. Fisher returned to the Frankenstein theme of a surgeon who creates a duplicate of his loved one in The Four Sided Triangle Laughton goes enjoyably over-the-top as a 17th-century nobleman madly dispensing tortures and prowling the gothic castle where the rightful owner - his brother Cavanagh , who had the temerity to marry the woman he loved - lies rotting in a dungeon with Karloff as his baleful but sympathetic keeper. Much better than its reputation suggests, the film is surprisingly imaginauvely directed by Pevney, not noted for horror movies although he did direct the Lon Chaney biopic, Man of a Thousand Faces Burden is the psychic investigator who lays the ghosts and allows the happy couple to Charles Laughton, as embark on their cruise.

But the acting and the script, though a little Door.

The Encyclopedia of Horror and Suspense Movies, Volume II by Eric Myford...

It tells of an archaeologist and his wife who, by pulling a wooden stake out of a dessicated skeleton accidentally revive a witch who has been dead for years. The witch, played by Mane, is a decidedly healthy-looking young girl and contrasts interestingly with the usual depictions of predatory women. However, Hallstrom, at best a routine director, fails to breathe any real life into the story and as a result the movie is rather their pitiless exhausting lives in inhospitable surroundings which leave their cruel marks on the people who have to endure them.

The woman falls under a spell and begins to live a double life: as a wife and as a man-killing reindeer, until in the end her husband kills the reindeer with cold steel.

Except for the scenes involving the local shaman, the movie is underplayed and unwinds with the slow but captivating rhythms of oral literature. The beautiful Kuosmanen, who also co-wrote the script, plays the cursed woman with conviction, endowing her trans-formation scenes with an emotional power rare in films of the period, which gained the film prizes at film festivals in Cannes and Karlovy Vary A second Finnish witch movie, Noita Palaa Elamaan , was made almost simultaneously, but these remain the only two significant F inni sh contributions to the genre to date.

This collection of three short daughter. Lugosi is the mad doctor, Van Hoosen, who dresses murder stories introduced by TV personality Harding is and behaves as a vampire should. The plot has a robot kidnap notable mainly for the Barclay-scripted Thirty Days to Die Mother Riley and pit her against Van Hoosen and the denizens episode in which a playwright Gregg plots his lethal revenge of his old dark house.

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Immensely popular in the provinces, the on a critic Naismith who gave his play a bad review. Dead girls are found with bells on their wrists; Malden overacting like mad in the Lugosi role works at the Paris zoo, where he has trained a gorilla to react to the tinkle of bells; and the period has been updated to around so that Dupin Forrest can be a Freudian psychologist whose fiancee Medina is pursued by Malden.

The abysmal dialogue is full of psychoanalytical bilge, the murders are repetitive in the extreme the best scene, paradoxically, is one in which the ape attacks a window-display dummy , and the 3-D effects are tamely restricted to the usual hail of hurled knives and clutching paws. Two of the three stories are of particular interest. The result is a fascinaung reflection on the very reality effect of images: an illusion achieved here at the cost of transforming the viewer, Pryse, into a stuffed dummy.

The Lord Mountdrago episode, scripted by Dalrymple from a Somerset Maugham story, features Welles and Badel as political antagonists who discover that their d teams affect their opponent. They proceed to dream each other to death.