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Libro principale:. Un link esterno fondamentale Nuovo Codice deontologico dei medici e degli odontoiatri italiani.

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In 79 articoli la "carta" dei valori della Fnomceo Nuovo Codice deontologico dei medici e degli odontoiatri italiani. Una segnalazione tassativa va qui quindi enfatizzata da parte nostra: se gli elenchi segnalati non pretendono di essere esaustivi, le citazioni presentate non indicano necessariamente la nostra piena approvazione, motivo importante di diffida dal copiare o usare in altri modi senza esplicito permesso il contenuto del sito o anche singole parti.

Opinioni o peggio: Accuse? Aggressioni pseudo-misteriose contro bersagli biologici.

Autobiografia di Malcolm X

Reinhard Munzert. Kathleen Sullivan 's Website:. Il Prezzo del Potere.


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Patients were put in isolation, tied down or drugged, and subjected to hours and hours of taped recordings meant to brainwash them at the behest of the Central Intelligence Agency. They were subjected to massive electroshocks, experimental drugs and LSD, most of them unwilling and unknowingly part of the U.

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Now it's time for the federal government to compensate those victims, lawyer Alan Stein argued. Stein is seeking court approval for a class-action lawsuit on behalf of his client, Janine Huard, one of the hundreds of patients of Ewen Cameron to be subjected to the Cold War-era experiments. Cameron and his staff as a guinea pig," Mr. Stein told the court.

LA CASA DEI SOGNI DI BARBIE: Unboxing e Tuffi in Piscina

The CIA Cameron to experiment with mind-control techniques beginning in The experiments But her claim for compensation from the federal government Note: What this article fails to mention is that Dr. The SSCI summary documents unethical and illegal acts perpetrated by CIA health professionals, including: 1 Designing, directing, and profiting from the torture program: Psychologists conceptualized and designed the CIA torture techniques, then helped implement the program, receiving a sole- source, multi-million dollar CIA contract for these services.

OMS officials expressed concern that these documentation practices could constitute illegal human subjects research. Senior CIA officials who were asked to evaluate the efficacy of the tactics expressed similar concerns. Non si tratta comunque di un lavoro di divulgazione e discussione ma in primo luogo dei frutti di una ricerca intellettuale per intellettuali per cui la bibliografia in costante aggiornamento ne costituisce la parte essenziale per venir a sua volta anche in futuro — per gli eventuali storici — utilizzata come fonte accertabile di dati.

O elencazione di concreti fatti? Purtroppo ci si trova talvolta costretti a malincuore a non poter ignorare e a dover controbbattere le vuote obbiezioni e le Ewen Cameron , the CIA and the maniacal quest to erase and remake the human mind , and its excerpts shared by F. Il tutto ampiamente riproposto nei sottocapitoli di questo file Delgado e brain washing ecc.. Delgado, M.

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Pertanto il testo di questa lettra - completo degli allegati - diviene come Pagine ospitate straniere un file significativo del sito dell'Associazione. Mandatory declassification review. Si diffida dal copiare o usare in altri modi senza esplicito permesso ogni contenuto del sito o anche singole parti.

Le citazioni presentate non indicano necessariamente la nostra piena approvazione. D'altra parte gli elenchi segnalati non pretendono di essere esaustivi. Di riscontro ci sono state segnalate maldestre copiature di nostri file citate come di pertinenza di altri siti con i quali NON abbiamo diretti contatti, anzi dei quali non avevamo alcuna notizia.

Sito e libri come tali, se non sono quindi solo "teoria", sono esposti a loro volta a diretti contrasti che si concretizzano in altri "fatti" e non solo in dispute teoriche. The whole site is in continual progress, even with new files. Per converso ed analogamente le citazioni che venissero tratte dal sito e dal libro sono soggette a Copyright e vanno presentate con la segnalazione completa della loro provenienza. Gli articoli, immagini, tabelle, testo etc.

follow Ma non basta. Moderno Giuramento di Ippocrate. Il medico non deve in alcun modo o caso collaborare, partecipare o semplicemente presenziare ad atti di tortura o a trattamenti crudeli, disumani o degradanti. The Rose in Contemporary Italian Poetry. Gainesville: UP of Florida, If De Sanctis takes up the rose in tracing "la splendida e sconcertante avventura dell'arte nell'amara stagione del declino" 9 from Lorenzo il Magnifico to Giambattista Marino, then Thomas Peterson, in his recent The Rose in Contemporary Italian Poetry, follows this most privileged flower in its many incarnations through a century of rapid evolution and innovation.

In the preface to the volume, Peterson recalls Walter Benjamin's temptation to write a book consisting entirely of citations, as well as the new method of "drilling" as opposed to "excavating" and the resulting "forcing of insights" such a project would entail. He goes on to liken his own study of the poetic rose to Benjamin's project: "To study a topos is also an act of critical drilling" vii.

In keeping with this notion, Peterson's commentary, at times quite orthodox, at times provocative and corrective of other critics, is often intentionally restrained, the book's sense relying rather upon the "placement or dispositio" of the citations - as Hannah Arendt says of Walter Benjamin's project - "so as not to ruin everything with explanations that seek to provide a causal or systematic connection" vii. Peterson acknowledges that such an approach requires that readers "bring powers of inference to the poetry and sort through fertile ambiguities" ix-x.

Roma nei Caraibi. L'organizzazione delle missioni cattoliche nelle Antille e in Guyana (1635-1675)

That the author allows the occurrences of the rose in contemporary Italian poetry to dictate the book's organization forces us to consider these poets from less common perspectives: alongside and very often in place of the traditional categories of Twilight, Futurist, Hermetic, and Neo-Hermetic poets, we hear also of poets of advent and of otium, as well as encyclopedic, apotropaic, and Anacreontic poets. Consequently, names often collocated under, for example, the unwieldy term of Hermeticism find their way into fresh and thought-provoking categories Sinisgalli and Gatto, for instance, are by turns encyclopedic, Anacreontic, or exemplary of the characteristic of wonder or of the ironic reframing of traditional figures of the rose.

The first chapter, "In the Garden of Italian Literature," serves as an introduction to the presence of the rose within the Italian and romance traditions, as well as to the critical approach informing the volume. Peterson notes a crucial shift in poetic practices in the early twentieth century that profoundly altered the relation "between poetic form and content, between the facts of language and those of theme," and the consequent need for a criticism responding to this situation: "Given the nature of this transition, one cannot rely on a single semiotic, stylistic, linguistic, sociological means of exegesis.

Rather an 'endogenous' criticism is required that is sensitive to a poem's interpretive needs on a case-by-case basis" 2. This recognition, together with the desire to "minimize the importance of 'lines'" x , results in a broad selection of poets that incorporates many names often omitted from critical surveys of twentieth-century Italian poetry, not to mention an impressive sampling of dialect poets, such as Salvatore Di Giacomo, Giacomo Noventa, Achile Serrao, Biagio Marin, Franco Scataglini, and Abino Pierro.

Together with this extensive array of Italians are the names of several poets from the European poetic tradition. Rilke's prolific use of the rose introduces a discussion of "a host of Italian poets whose prayer, including secular prayer, engages the rose of sacrament as a votive object" , and Celan's rose "expresses a transformation of archaic religious objects, icons, and rituals into a form of spirituality that is negative and catastrophic" Laconic but Arcadian, the Anacreontic poet regales in the luxurious and exquisite, and possesses a heightened sense of the sensual and melic qualities of the poetic word" The use of figurative language, of course, touches on the problem of rhetoric, whose role is to persuade and lend coloring and conviction.

Or how, given the lexical nature of our study, does the evasion or deformation of a lexeme signal a change in literary sensibility? The poets under discussion respond to this situation in one of two ways: with a "rhetoric of rarefaction," or the "rarefaction of rhetoric. This recourse to the second-hand rose is an instance of what Harold Bloom has referred to as "the interpretive and revisionary power of a poetry perpetually battling its own belatedness" The imperative of having to position oneself with regard to an established literary culture is also keenly felt by writers familiar with the experience of marginalization.

Chapter eleven, "The Feminine Voice, and Other Alibis," examines the poets of the feminine voice, who aim at "creating an alibi or space apart from the coteries of the male-dominated literary world, and the 'pseudo-nature' of that world" The alibi, a "result not of a flight, but of dialogue and questioning" , situates the feminine voice "elsewhere" with respect to the assertive verbal armature of the masculine linguistic space.

Peterson begins his survey of the feminine voice, quite understandably, with Sibilla Aleramo, then turns to "an example of a male poet with a feminine voice" He finds in Diego Valeri Paolo Volponi, Roberto Sanesi also figure in Peterson's discussion of the feminine voice that lexical indeterminacy and contingency that allow him to resist "the rationalistic and formalistic tendencies of much twentieth-century verse" Amelia Rosselli appears not among the poets of the feminine voice, but in the concluding chapter, "The Otiose Rose," where Peterson looks at the rose in poems conceived of as contemplative, theoretical enterprises.

In his discussion of Rosselli, Peterson ties together a number of the strings that run throughout the volume, and demonstrates an outstanding sensitivity to the complex nature of the poet's work. Here the author himself eases the rapid pace maintained through much of the book, a pace determined by the range of material treated in a relatively small space. Indeed, many poets are accorded little more than a brief paragraph, and consequently one often wishes Peterson were able to devote to them as much attention as he does to those few discussed at greater length.

In citing Maria Luisa Spaziani's phrase, "nebuloso mistero da vincersi a ristroso" from the poem "Quell'uomo-stella" , as an "inadvertent description of the rose topos itself, which must be denied in order to be validated" , Peterson recognizes a fundamental trait of the modern relationship to topoi in general. The phrase evokes as well what faces the critic engaged in clearing up the mysteries of textual interaction; and, in fact, the reader of The Rose in Contemporary Italian Poetry might wish that Peterson had ventured further in this direction, following the reverse path of influence and elaborating on the interrelations among texts.

Many of the poetic fragments examined remain just that - isolated fragments - and the reader is left to formulate many of those "causal and systematic connection[s]" toward which Peterson professes a certain skepticism in his Preface. Nevertheless, The Rose in Contemporary Italian Poetry is an extremely rich and challenging book, and goes a long way toward redeeming the study of literary topoi. It is both a welcome source and model for the scholar interested in such studies, as well as a "rosa dei venti" for the general reader on the high seas of twentieth-century Italian poetry.

Viktor Berberi, Indiana University. Iannace, ed. Maria Vergine nella letteratura italiana. The Blessed Virgin Mary, or Mary of Nazareth, is a complex figure in the contemporary academic scene, subject to, and of, diverse interpretations. For the traditional Catholic academic, she may be primarily a co-redemptrix, object of devotion as the earthly mother of Jesus Christ; for the Marxist or the atheist, she may be among the most visible and fertile symbols of the collective illusion of religion; for the liberal feminist, she may be a dangerous icon of patriarchal domination and female subordination to the role of mother and wife; for the feminist or liberation theologian or believer, she may be an example of full humanity achieved against all the odds of an oppressive, colonized context.

Among these multiple figures, the first is the dominant one in the essays collected in Florinda Iannace's Maria Vergine nella letteratura italiana. These generally short pieces there are over thirty of them in the admittedly long volume were originally presented as lectures at a congress at Fordham University entitled "The Virgin Mary in Italian Literature. Tusiani, a surprising presence in the book, is an Italian-American poet who writes in English and comments as critic - he is the author of the essay on himself - on his own poetic production.